Authors :
Faiza Farhat Mohammad Mustafa
Volume/Issue :
Volume 9 - 2024, Issue 7 - July
Google Scholar :
https://tinyurl.com/ycxh8m9h
Scribd :
https://tinyurl.com/2wa9wyja
DOI :
https://doi.org/10.38124/ijisrt/IJISRT24JUL702
Abstract :
This research paper explores the profound
influence of African heritage on Afro-American literary
expression. It begins by examining the historical context,
emphasizing the impact of the transatlantic slave trade
and early Afro-American literature's retention of African
cultural elements. The Harlem Renaissance is highlighted
as a pivotal moment that celebrated African roots and set
the stage for future literary developments. Central themes
derived from African heritage, such as resistance,
resilience, and connection to ancestry, are analyzed,
illustrating their prominence in both historical and
contemporary works. The paper deal with storytelling
techniques and narrative structures influenced by African
oral traditions, folktales, and myths, highlighting how
these elements enrich Afro-American literature. The use
of rhythmic language, communal narration, and the call-
and-response pattern are discussed as significant aspects
that enhance narrative depth and cultural authenticity.
The integration of African symbols, music, and communal
values as cultural motifs is explored, showcasing how
these elements infuse literary works with layers of
meaning and cultural resonance. The reclamation of
African identity is a key focus, with discussions on
Afrocentric perspectives in modern literature, the impact
of the Black Arts Movement, and contemporary literary
movements. The challenges and opportunities of
navigating dual heritage and cultural hybridity are
addressed, emphasizing the complexities of identity
formation and cultural expression.
Keywords :
African Heritage, Afro-American Literature, Harlem Renaissance, Oral Traditions, Cultural Motifs, Afrocentrism, Identity Reclamation.
References :
- Alice Walker. The Color Purple. Harcourt Brace Jovanovich, 1982, pp. 30-65.
- Audre Lorde. Sister Outsider: Essays and Speeches. Crossing Press, 1984, pp. 100-125.
- Chinua Achebe. Things Fall Apart. Anchor Books, 1994, pp. 1-30.
- Frantz Fanon. Black Skin, White Masks. Grove Press, 1952, pp. 60-95.
- Henry Louis Jr Gates. The Signifying Monkey: A Theory of African-American Literary Criticism. Oxford University Press, 1988, pp. 50-85.
- Ishmael Reed. Mumbo Jumbo. Scribner, 1972, pp. 40-70.
- Kwame Anthony Appiah. In My Father’s House: Africa in the Philosophy of Culture. Oxford University Press, 1992, pp. 100-130.
- Langston Hughes. The Weary Blues. Knopf, 1926, pp. 15-40.
- Richard Wright. Black Boy. Harper & Brothers, 1945, pp. 20-50.
- Toni Morrison. Beloved. Alfred A. Knopf, 1987, pp. 100-140.
- Zora Neale Hurston. Their Eyes Were Watching God. J.B. Lippincott, 1937, pp. 50-85.
This research paper explores the profound
influence of African heritage on Afro-American literary
expression. It begins by examining the historical context,
emphasizing the impact of the transatlantic slave trade
and early Afro-American literature's retention of African
cultural elements. The Harlem Renaissance is highlighted
as a pivotal moment that celebrated African roots and set
the stage for future literary developments. Central themes
derived from African heritage, such as resistance,
resilience, and connection to ancestry, are analyzed,
illustrating their prominence in both historical and
contemporary works. The paper deal with storytelling
techniques and narrative structures influenced by African
oral traditions, folktales, and myths, highlighting how
these elements enrich Afro-American literature. The use
of rhythmic language, communal narration, and the call-
and-response pattern are discussed as significant aspects
that enhance narrative depth and cultural authenticity.
The integration of African symbols, music, and communal
values as cultural motifs is explored, showcasing how
these elements infuse literary works with layers of
meaning and cultural resonance. The reclamation of
African identity is a key focus, with discussions on
Afrocentric perspectives in modern literature, the impact
of the Black Arts Movement, and contemporary literary
movements. The challenges and opportunities of
navigating dual heritage and cultural hybridity are
addressed, emphasizing the complexities of identity
formation and cultural expression.
Keywords :
African Heritage, Afro-American Literature, Harlem Renaissance, Oral Traditions, Cultural Motifs, Afrocentrism, Identity Reclamation.