Authors : Chandra Mukesh Swami

Volume/Issue : Volume 11 - 2026, Issue 5 - May

Google Scholar : https://tinyurl.com/4cv7kjr8

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DOI : https://doi.org/10.38124/ijisrt/26May517

Note : A published paper may take 4-5 working days from the publication date to appear in PlumX Metrics, Semantic Scholar, and ResearchGate.

Abstract : This study explores the evolving concept of nature in English poetry, focusing on the transition from Romanticism to Modernism through the works of William Wordsworth and Robert Frost. Traditionally, nature has been perceived as a harmonious and interconnected system, reflecting philosophical ideas of constant change and scientific perspectives such as Albert Einstein’s theory of relativity. It was also regarded as a symbol of divine perfection, though human intervention has increasingly disrupted its balance. Historical perspectives on nature reveal significant shifts. Medieval thought viewed nature as degraded after humanity’s fall, while classical Greek and Roman traditions idealized it. Renaissance writers like William Shakespeare employed vivid natural imagery, and the Enlightenment emphasized scientific inquiry and divine order. Romantic poets, especially Wordsworth, celebrated nature as a spiritual and moral force, particularly in response to industrialization. In contrast, Modernist literature shifted focus toward urban life, while events such as the First World War challenged idealized views of nature. Through comparative analysis, this paper argues that Wordsworth portrays nature as nurturing and spiritually significant, whereas Frost presents it as indifferent and ambiguous. This shift reflects broader cultural and philosophical changes in humanity’s relationship with nature.

Keywords : Frost, Nature, Romanticism, Transcendentalism, Wordsworth, Concentric Circles, Greek and Roman Literature, Industrialization.

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